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Crew - New York/London |
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| Registered: April 3, 2007 | Reputation:  |  Posts: 1,998 |
| | Posted: | | | | How would you enter these credits, the screen is split with New York on the left and London on the right (the entire end credits scroll like this)  Some opening credits (Costume Design and Production Design) are also split New York & London  This is how i have entered them but not sure if dividers should be used? (obviously there are local only credits here) Quote:
Direction:
David Jones...Directed By
Writing:
Hugh Whitemore...Screenplay By
Helene Hanff...Based on the Book By
James Roose-Evans...Originally Adapted for the Stage By
Cornelia Rogan...Script Supervisor - New York
Josie Fulford...Script Supervisor - London
Production:
Randy Auerbach...Associate Producer
Jo Lustig...Associate Producer
Mel Brooks...Executive Producer
Geoffrey Helman...Produced By
Cinematography:
Brian West...Director of Photography
Film Editing:
Chris Wimble...Editor
Music:
George Fenton...Music Composed and Conducted By
Robert Stewart...Orchestrations - London
Sound:
Gary Alper...Sound Mixer - New York
David John...Sound Mixer - London
David Platt...Sound Boom - New York
Matthew Launey...Sound Boom - London
Alan Paley...Sound Editor - London
Peter Holt...2nd Sound Editor - London
Andy Nelson...Dubbing Mixer - London
Art:
Jane Greenwood...Costume Design - New York
Lindy Hemming...Costume Design - London
Eileen Diss...Production Design - London
Edward Pisoni...Production Design - New York
Leslie Fuller...Chief Make-Up Artist - New York
Peter Frampton...Chief Make-Up Artist - London
Linda Armstrong...Make-Up Artist - London
Jean-Paul ...Chief Hairdresser - New York
Sue Love...Chief Hairdresser - London
Betty Glasow...Hairdresser - London
Roseann Milano...Wardrobe Supervisor - New York
Joyce Stoneman...Wardrobe Supervisor - London
Other:
Judy Courtney...Casting - New York
D. L. Newton...Casting - New York
Marilyn Johnson...Casting - London |
| | Registered: March 14, 2007 | Reputation:  |  Posts: 6,744 |
| | | Registered: March 13, 2007 | | Reputation: |  Posts: 13,202 |
| | Posted: | | | | I would have used a divider for each city and placed the crew under that. | | | No dictator, no invader can hold an imprisoned population by force of arms forever.
There is no greater power in the universe than the need for freedom.
Against this power, governments and tyrants and armies cannot stand.
The Centauri learned this lesson once.
We will teach it to them again.
Though it take a thousand years, we will be free.
- Citizen G'Kar |
| | Registered: March 14, 2007 | | Reputation: | | Posts: 6,744 |
| | Posted: | | | | Quoting TheMadMartian: Quote:
I would have used a divider for each city and placed the crew under that. That sounds reasonable. | | | Karsten
DVD Collectors Online
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| | Registered: March 15, 2007 | | Reputation: | | Posts: 5,459 |
| | Posted: | | | | I'm not sure how I'd deal with this best. I'm tempted, as it seems there are also crew that aren't placed under a city header, to use group dividers for the cities in each category.
Though I'd have no objection to using episode dividers I'm not sure it represents the credits as accurately as group dividers would, though I may be wrong about that. | | | | Last edited: by northbloke |
| | Registered: August 23, 2008 | | Reputation: | | Posts: 1,656 |
| | Posted: | | | | Quoting TheMadMartian: Quote:
I would have used a divider for each city and placed the crew under that. I concur with this. | | | Reviewer, HorrorTalk.com
"I also refuse to document CLT results and I pay my bills to avoid going to court." - Sam, keeping it real, yo. |
| | Registered: October 6, 2008 | | Posts: 1,932 |
| | Posted: | | | | Quoting DJ Doena: Quote:
Quoting TheMadMartian:
Quote:
I would have used a divider for each city and placed the crew under that.
That sounds reasonable. Utterly. |
|   | Corne | | Registered: Nov. 1, 2000 |
| Registered: April 5, 2007 |  Posts: 1,059 |
| | Posted: | | | | Quoting TheMadMartian: Quote:
I would have used a divider for each city and placed the crew under that. In this situation that sounds reasonable for me too | | | | Cor |
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